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and this is my poem, come on in
don’t be afraid, ignore the echo
let us begin in emptiness
welcome to my crater of light
once we gathered, you and I, remember
revived by the cool gleam of a rummer
our shadows like finest crystal
our fame as glancing as the light that falls
on a letter read by a woman becalmed
we were gold dusted
pale, almost translucent with love
lowering our eyes before each other
and we loved to do penance
if someone asked how we were
we answered truthfully
ashamed to our boots, sir
firmly convinced
that we ourselves had scourged
our very own lord
and crucified him personally
the certainty of the apocalypse
was branded on our retinas
what happened in the few short centuries
we looked the other way?
I hoped to show you a fatherland
formal, pure and with sustained metaphors
moulding a poem about us, but when I began
I had to look on while one nation
spontaneously wiped out the other
like two irreconcilable republics
how did we move so fast from humble to rude
from a glimmer to an omnipresent shrieking crew?
how could careful caterpillars give rise to this hummer tribe?
they say: because god disappeared – our father
had decided to make himself even more invisible
to see if it was possible, no, it wasn’t
and god was gone
and in this still-life with absentee
the astonished netherlands now stood
mouths full of mortality
full of frivolity and highly regarded death wish
all their vanity had been revealed as vanity
the gleam of them, the dust they embraced
the palace of mirrors people once took for eternity
had been declared unfit for habitation
the frost crackled on their souls
and out of that gap we were born
kevin, ramsey, dunya, dagmar, roman and charity
appearing as if by magic
bungee-jumping, with inflatable orange hammers
screaming and screeching and anti-depressive
or gang-banged in silence for a breezer
a big welcome to the nether regions
yes, that’s what you get, this is what’s left
when you ram the guilt out of our bodies
we fill the hole with gleaming emptiness
between psalm singing and pill popping
between gold and bling
I found a country where everything must go
this land is the revenge of the forefathers
like an iconoclastic fury they rage on in us
but it exists – like the connection between
burkas and kids’ padded bikinis exists
between buttermilk and binge drinking:
concave and convex our centuries slide together
cancelling each other out is our strength
our nature strives for emptiness
like a cyclops longs for depth
you see, I wanted to show you a fatherland
not this desert of infinite freedom
but this is where we live
and how beautiful it would be
if someone one day like a second-hand deity
could build a country rhyme by rhyme
for this nation that misses its nation
here of all places, in the open pit of our heart
we can achieve something great
a poem’s a start
Ramsey Nasr was born in Rotterdam, the Netherlands. In addition to being a prize-winning author of poetry, essays, dramas, he is also a gifted film and theatre actor.
In 2009, Ramsey Nasr was voted Poet Laureate of the Netherlands. In 2000, he was the winner of the Hugues C. Pernath Prize. In 2006 Ramsey Nasr was awarded the honorary Journalist for Peace prize by the Humanistisch Vredesberaad (Dutch Humanistic Peace Council).
On January 28 2009, Ramsey Nasr was voted Dutch poet laureate for a term of four years, partly on the basis of the above poem. The title refers to Spleen, a famous poem by the Dutch poet Godfried Bomans. It goes something like this: “I sit here in the window box / to watch the boring weather. / I wish I was two little dogs, / then I could play together.”